Currently, I am pursuing my second master's degree in the Design and Environmental Analysis program at Cornell University. I invite you to join me in my world of design and photography utopia.
Linghao Li ｜李凌昊
MA Design in D+EA ‘24
MA Graphic Design and Visual Experience ‘22
BFA Visual Communication Design ‘16
Cornell University｜SCAD｜TAFA
+ 1 912-391-7213 | ll933@cornell.edu
Behance / Instagram / Linkedin / Mail
Design Works
Photography Works
Research Topic
About Myself
Resume/CV
Having received the most structured and comprehensive design education in China, coupled with diverse professional experiences, I thought I had a firm grasp on the design world. However, when I set foot in the United States in the summer of 2019, I was introduced to a radically different design education paradigm. This shift prompted introspection: What, at its core, is design? A question so fundamental, yet one that I found myself grappling with, despite it having been posed and answered myriad times before. This existential design quandary propelled me towards the scholarly realm of design research. While I may still be searching for that elusive answer, my unwavering faith in the transformative power of design remains intact. Welcome to my envisioned design utopia.
SongGuang Font - a Mongolian Font Design
Lucky Love - an Information Design
Entangled- an interactive exhibit proposal
Daily “AI” Poster
My Powerpuff - a Typography work
One Time, One Memory, One Story
Martian Language - a Typography work
Please Stop Stealing Sheep
The Perfect Human
Hello World - a Themed Exhibition
Wish You a Happy New Year
HARBIN Architectural Forest
The Apotheosizing Tales of Mine
Oi! Matcha - An Illustration Design
Love’s Poison - a Lable Design
The Hitchhiker’s Guide to the Galaxy
Illustertion Collection II
Tarot in Y2K
Illustration Collection I
Daily Poster Exercise
More Case
LOVE's POISON
A LABLE DESIGN WITH CHINESE POISON
IN WuXia STORY
- 04/2015
For my undergraduate product packaging design course, I embarked on a unique project that allowed me to delve deep into the realm of conceptual design. I was captivated by the idea of a 'love potion' and decided to craft a virtual product packaging around this intriguing concept. My initial inspiration was drawn from the labels often found in traditional Chinese 'martial arts' tales. Using this narrative as a foundation, I evolved my idea into 'the elixir of love'. Through this, I aimed to encapsulate the often irrational and passionate nature of love that many of us experience. It led me to ponder: If love were to be commodified, how would we package and market such a profound and intangible emotion?